Bob, Son of Battle — Text and Context

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Ollivant, Alfred, 1874-1927 Project Gutenberg 2001 Not confirmed
Dogs -- Fiction; Dogs -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 77,983
Reading time 340 min
Text sections 10

For Bob, Son of Battle — Text and Context, the stored edition analysis reports 77,983 words, 5 hr 40 min estimated reading time, and 10 detected text sections.

The text analysis averages about 14.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Dogs -- Fiction,” connecting these edition facts with the source record’s subject description.

Alfred Ollivant's novel centers on a rivalry between two sheepdogs, Bob and Red Wull, set in the Dales. The excerpts reveal a community tense with suspicion over a sheep-killing 'Black Killer,' with dialogue-driven conflict between shepherds and a father-son feud.
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Editorial Edition Score 4.7/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Public-domain source text

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The opening chapter introduces the Dales setting through a thatching scene where Tammas Thornton and Sam'l Todd discuss the Gray Dogs, a line of sheepdogs. Their talk quickly turns to Rex son o' Rally, a past champion, and the hope that 'oor young Bob' might match him. The dialogue is thick with dialect and a sense of communal memory, establishing that the shepherds' world revolves around dog breeding and the annual Cup competition.

This focus on canine lineage and local pride sets the stage for a story where dogs are not just animals but carriers of reputation and rivalry. The excerpts show that the narrative voice is deeply embedded in the Dalesmen's perspective, with their concerns about the 'Black Killer'—a mysterious predator—dominating later chapters.

Dialect and Voice in the Dales

The excerpts are rich with phonetic dialect, such as 'Yo' canna beat 'em not nohow' and 'niver knew a bad un yet.' This is not mere decoration; it shapes character. Tammas's garrulous nostalgia contrasts with Sam'l's 'resolute melancholy,' while M'Adam's speech carries a 'playful raillery' that masks menace. The dialogue reveals social hierarchies: old Tammas has served the Moores for over half a century, and his opinions carry weight. The dialect also creates a closed community where outsiders (like the reader) must attune to local idioms. Notably, the narrator occasionally shifts into standard English for descriptive passages, creating a tension between the characters' vernacular and the author's own voice.

The Black Killer and Suspicion

The 'Black Killer' is a sheep-killing dog that terrorizes the Dales. The excerpts show the community's frustration: 'many a shepherd at that time patrolled all night through' only to find the Killer had struck elsewhere. Suspicion falls on local dogs, and M'Adam pointedly includes 'Kenmuir' when listing possible owners. The dialogue between David M'Adam and his father reveals a poisonous relationship, with David sneering that 'Th' Owd Un' (likely Bob) guards Kenmuir at night. The narrative treats the Killer as a mystery, with characters theorizing but no resolution in the provided text. This plot thread drives much of the tension, intertwining with the dog-show rivalry.

Rivalry and the Shepherds' Trophy

The Cup—the Shepherds' Trophy—is a recurring symbol. Tammas laments that 'We's never won Cup since his day' (Rex's), and the rivalry between Kenmuir's Bob and M'Adam's Red Wull is central. The excerpts show that two years prior, David M'Adam (the son) was 'an instrument in the taking of the Cup from' his father, deepening their feud. The competition is not just about dogs but about family honor and community standing. The narrative uses the Cup to structure conflict, with chapters titled 'Red Wull Wins' and 'How Red Wull Held the Bridge.' The excerpts do not reveal the outcome, but the stakes are clear: winning the Trophy is a matter of pride and legacy.

The excerpts offer a vivid slice of Dales life but leave key questions unanswered: Who is the Black Killer? Does Bob or Red Wull prevail? Readers should attend to the way Ollivant uses dialect to build atmosphere and how the rivalry between dogs mirrors human conflicts. The novel rewards attention to small details—a gesture, a turn of phrase—that reveal character and motive.

The rain kept time with the Dales’ grey tension, Ollivant’s shepherds trading accusations over the Black Killer until the feud felt almost physical. That raw particularity of grudges stayed with me, so later, when the sky cleared, I found myself reaching for The Amazing Interlude — Reading Companion instead. Its quieter, gentler troubles felt like a doorway opening after a storm-dark hallway.

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